You make up your own mind by further researching the facts...
The grainy videos were apparently caught on 16 mm film and show the inside of the Apollo 20 command module as well as what appears to be the intricate architecture of a long-deserted lunar city.
He identified himself as former astronaut William Rutledge and according to him, the mission took place in 1976 as a secret Soviet-American joint venture.
He was chosen to be part of the team due to being an atheist, which was a rarity among astronauts in the 1970’s.
Why would NASA require someone who didn’t believe in God for this mission? Would a believer have lost his faith?
Rutledge said that the Apollo 14 mission had passed over the southern polar region of the Moon, observing numerous abandoned space ships and cities comprised of towering structures.
The Apollo 20 landed near the Delporte Crater and its mission was to explore a cigar-shaped mother ship that had been abandoned for 1.5 million years.
Title: Re: APOLLO 20 ALIEN SPACESHIP ON THE MOON CSM FLYOVER 8 Published on Jul 28, 2007 YouTube Code: https://youtu.be/mrxSJ8IzveE Duration: 02:56
Click for latest software
The main feature of this video comes during the second half, which shows a "normalized" version of the 16MM film of the alien craft shot by L. Marietta Snyder during her CSM flyovers.
The problem with that video is that it is difficult to make out what the craft actually looks like, close up. So, the second half of this video shows the usable shots, rotated, tone adjusted, scaled, and bit-bended, which gives the appearance of a rather large ship, close up.
The video begins with the AS15-P-9625 zooming in. Then the AS15-P-9625 shot morphs into the AS20-1020 shot, also zooming in.
Then, when AS20-1020 starts to get fuzzy, it morphs into the shot of the ship taken with the Westinghouse color TV camera. For this effect, the main image is a composite of four different frames from the original video taken during Apollo 20 CSM flyover. This composite was tone adjusted and desaturated to bring out more detail.
Finally, the Westinghouse TV camera shot morphs into a composite of the ship taken by Leona using a 16MM movie camera.
The Apollo 20 crew patch displayed at the beginning was manually restored from a low-res screen capture of CDR Rutledge's previous postings.