Mermaids
An Introduction Mermaids
   The Paradigm shift

Mermaids and Tritons in the Age of Reason
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Nigel G Wilcox

The Paragon Alternative History And Science
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The famous naturalist Carl Linnaeus also threw himself into investigating mermaids and tritons. Having read newspaper articles detailing mermaid sightings in Nyköping, Sweden, Linnaeus sent a letter to the Swedish Academy of Science in 1749 urging a hunt in which to “catch this animal alive or preserved in spirits”. Linnaeus admitted, “science does not have a certain answer of if the existence of mermaids is a fact or is a fable or imagination of some ocean fish”. Yet in his mind, the reward outweighed the risk, as the discovery of such a rare phenomenon “could result in one of the biggest discoveries that the Academy could possibly achieve and for which the whole world should thank the Academy”. Perhaps these creatures could reveal humankind’s origins? For Linnaeus — world-renowned for his contributions to taxonomical classification — this ancient mystery must be solved.8

The Dutch artist Samuel Fallours also claimed to have discovered merpeople in a distant land, and in doing so set off a decades-long debate that spanned continents and media types. Fallours lived in Ambon, Indonesia, from 1706 to 1712 while serving as a clergy’s assistant for the Dutch East India Company. During Fallours’ tenure on a “Spice Island”, he drew various representations of native flora and fauna. One image happened to depict a mermaid, or “sirenne”. Fallours’ “sirenne” closely resembled the classic depiction of a mermaid, with long, sea-green hair, a pleasant face and a bare midsection that turned into a blue/green tail at the waist. This mermaid’ s skin, however, was dark (with a slight greenish tinge), implying a similarity with the local indigenous population.9

In the notes that accompanied Fallours’ original drawing, the Dutch artist contended that he “had this Syrene alive for four days in my house at Ambon in a tub of water”. Fallours’ son had brought it to him from the nearby island of Buru “where he purchased it from the blacks for two ells of cloth”. Eventually, the whimpering creature died of hunger, “not wishing to take any nourishment, neither fishes nor shell fishes, nor mosses or grasses”. After the mermaid’s death, Fallours “had the curiosity to lift its fins in front and in back and [found] it was shaped like a woman”. Fallours claimed that the specimen was subsequently relayed to Holland and lost. The story of this Ambon siren, however, had only just begun.10
Watercolour of a “Sirenne” by Samuel Fallours, ca. 1706–1712 Source:
“Sirenne”, after Fallours, and “Ecrevisse” (crayfish) from the second edition of Louis Renard’s Poissons, ecrevisses et crabes (1754) Source:

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